The New York Times
May 28, 2013

Country remains American music’s bastion of cultural conservatism, with a fan base that sits well to the right of the wider pop audience, and songs that strenuously uphold traditional white working-class images of masculinity. Mr. McAnally presents a paradox: a Nashville powerhouse who is also an out gay man — a songwriter who cooks up chart-topping country songs at the home he shares with his husband and their 5-month-old twins. For Mr. MacAnally, the two facts are not unrelated.